Introduction to Angle One

Angle One serves as the foundational strike in Filipino martial arts, categorized as a forehand diagonal slash that travels from top-right to bottom-left. This beginner-level technique requires body rotation and proper weight transfer through the strike. Practitioners can enhance Angle One through various applications including offline variations, the travailon (a whipping double-strike), and loaded hip-and-shoulder mechanics for increased power.

Angle Four: Horizontal Backhand Strike

Angle Four provides a horizontal backhand slash that cuts through the floating rib section, creating directional variety essential for effective combinations. Unlike Angle One's diagonal line, this horizontal plane enables quick transitions to snapping strikes and allows practitioners to check opponents while retaining weapon control. The Funo variation extends the Angle Four application into close-range scenarios with adjusted height dynamics.

Angle Five: Reverse Diagonal Forehand

Angle Five reverses the Angle One direction, traveling from bottom-right to top-left with a subtle loading pattern that deceives opponents. This strike excels as a follow-up technique and transitions seamlessly into the Funo position. The Wintick variation employs wrist flexors to create circular, compressive strikes targeting the hands at short range while maintaining flow and tempo changes.

Thrust: Breaking the Slash Pattern

The thrust represents a critical departure from diagonal slashes, using linear penetrating motion that only returns upon contact with the target. Available in neutral, upward, round, and reverse variations, thrusts prove difficult to block and serve as effective range-checking tools. This technique disrupts predictable slash patterns and baits opponents, making it essential for practitioners seeking tactical versatility.

Aboniko: The Fan Strike

The Aboniko or fan strike executes horizontal, diagonal, or vertical patterns that excel at creating rapid directional changes and quick bouncing sequences. This boutique strike generates strong snapping effects through lateral movement while maintaining defensive and counter-striking applications. The Aboniko effectively baits opponents into vulnerable positions through contact creation and directional unpredictability.

Progressive Skill Development Philosophy

Practitioners should prioritize developing strikes aligned with their natural strengths before refining weaker techniques. This foundational approach builds confidence and competency while establishing proper mechanics across the five essential strikes. Understanding multiple applications—slashes, snaps, thrusts, and specialty techniques—within each angle maximizes combat effectiveness and adaptability.

The First 5 Strikes You Need to Know in Filipino Martial Arts | Anastacio Kali

Mark Anastacio
2 min read·6 key moments·PT7M47S video

Key Takeaways

  • Introduction to Angle One
  • Angle Four: Horizontal Backhand Strike
  • Angle Five: Reverse Diagonal Forehand
  • Thrust: Breaking the Slash Pattern

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Frequently Asked Questions

What does this video teach about angle five strike?

This video covers introduction to angle one, angle four: horizontal backhand strike, angle five: reverse diagonal forehand. It provides detailed instruction from Mark Anastacio.

How long does it take to learn angle five strike?

The basic mechanics can be understood in a single session, but developing reliable execution requires consistent drilling over weeks of practice. This 6-part breakdown helps structure your training by isolating each phase of the technique.

What are the key details for finishing angle five strike?

The Aboniko or fan strike executes horizontal, diagonal, or vertical patterns that excel at creating rapid directional changes and quick bouncing sequences. This boutique strike generates strong snapping effects through lateral movement while maintaining defensive and counter-striking applications. The Aboniko effectively baits opponents into vulnerable positions through contact creation and directional unpredictability.